Furthermore, his regular practice of piano accompaniment for singers over a decade led him gradually to study lyric singing, first at the CRR de Boulogne-Billancourt in the class of Blandine de Saint-Sauveur and then at the Conservatoire du 11e arrondissement de Paris (class of Julie Hassler). His love for Baroque music has driven him to specialize in this repertoire, benefiting from the guidance of Andreas Scholl, Gérard Lesne, Nicole Rouillé, and Maarten Koeningsberger in masterclasses. As a singer, he has performed as a soloist and chorister with various ensembles (Sagittarius, Bach Collegium Paris, Ensemble Sequentiæ, Ensemble Poséidon…) under the direction, among others, of Michel Laplénie, Christophe Coin, Patrizia Metzler, and Mathieu Bonnin. Between 2016 and 2022, he regularly sang with the Baroque Choir of Amsterdam under the direction of Ton Koopman, leading to performances across Europe and around the world (Konzerthaus in Vienna, Warsaw Philharmonic, Concertgebouw in Amsterdam, Thomaskirche in Leipzig, National Auditorium in Madrid, Forbidden City in Beijing, Shanghai Symphony Hall…), mainly focusing on J.S. Bach’s repertoire (Cantatas, Motets, Passions, Mass in B…).

On a daily basis, he teaches literature and philosophy in literary and scientific preparatory classes at the Lycée Marcelin Berthelot (Saint-Maur-des-Fossés, Val-de-Marne) and has been directing a cultural music workshop at Sciences Po Paris for over ten years, dedicated this year to the theme of narrative and representation in Western classical music, from Monteverdi to Boulez (17th-20th centuries).

Au quotidien, il enseigne la littérature et la philosophie en classes préparatoires littéraires et scientifiques au lycée Marcelin Berthelot (Saint-Maur-des-Fossés, Val-de-Marne) et dirige depuis plus de dix ans un atelier de culture musicale à Sciences Po Paris, consacré cette année à la question de la narration et de la représentation dans la musique savante occidentale, de Monteverdi à Boulez (XVII-XXe s.).